Bachelor of Fine Arts from the Polytechnic University of Valencia and Doctor of Fine Arts from the Complutense University of Madrid, she furthers her training as an artist-in-residence at the Pratt Graphic Manhattan Center in New York, USA. In her early documented works from the 1980s, the influence of Paul Klee is evident, but soon the neo-expressionist movement, around 1989, will imbue her works with material and gesture: American Dreams, Albertina, Kleist en Thun…, white series of action painting, of encounter and disencounter with material in its purest state.

For a time, she moved away from the expressive and informal graphic style that characterized her early works. Only in appearance, however, as the warmth of her style and the series, which, like an obsession, lead her to exhaust the motif, remain present. There is also the fragment and its multiple possibilities, which amplify the scale of the work. The small and intimate format is maintained, inviting the viewer to a close engagement, and there is an economy of means and resources, a reductionism pushed to the limit. (The work: Archive of Asturian Artists, Laboral Centro de Arte Industrial)